Directing

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    Monteverdi’s Flying Circus is seriously musical, albeit laced with wit, bawdy, humour and sadness.  THE ARTS DESK

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    Tolputt’s production is madcap, bonkers and hilarious; every cast member contributes an outstanding comedic performance.  QUAERE LIVING

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    Director Anna Tolputt has successfully transformed this 17th century drama into an immediate and accessible theatrical experience SPY IN THE STALLS

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    This moving, and at times very funny, story was beautifully told and absolutely captivating.  SALISBURY JOURNAL

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    It's a very slick, high-energy, thoroughly entertaining production and you should definitely go.  DAILY INFO

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    Happy Even After is urgent, direct and powerful: its unflinching portrayal of domestic abuse will raise questions and open eyes.  DAILY INFO

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Anna spent a year training to be a theatre director as the St Petersburg Academy before returning to the UK and becoming an actor.  She has loved returning to this and has directed and adapted plays for several UK companies including Polka Theatre, Armonico Consort, Chipping Norton Theatre, Human Story Theatre, Tiny Light Theatre, Creation Theatre and Cherwell Theatre Company.  She has directed young people’s productions for the Almeida, Oxford Playhouse and Bristol School of Acting for whom she is an acting tutor.

Anna co-founded Tiny Light Theatre with whom she writes, directs and performs.  She also works regularly as a director for Human Story Theatre and directs and teaches acting at Bristol School of Acting.  She has directed for Armonico Consort, Chipping Norton Theatre, Polka Theatre, Cherwell Theatre Company and Human Behaviour.  She was staff director at English Touring Opera.


She performed and produced Parenthood at Pegasus theatre and has worked with John Terry and Paul Ansdell on the wonder that is the Contagion Cabaret in its many different guises. 

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